Pedn-men-du

Pedn-men-du, pastel (29 x 20cm)

CLARE YARRINGTON is a visual artist, based in rural central Scotland.

The pictures highighted here are a small sample of the range of work that I do: a few each of mixed media collages, collograph prints, pastels and work that concentrates more on the human figure. If you are interested in seeing more pictures or would like some more information please do get in contact.

Forthcoming exhibitions and courses:

I will be joining Catherine King and Sheila Carnduff during the 2012 Forth Valley Open Studios in June (9th-17th) at Catherine's studion in Larbert.

As part of FVOS I will also have work at the Changing Room, Stirling during June and July.

House for an Art Lover, Glasgow: From September 26th to October 22nd I will be exhibiting with Lyndsey Redfern in a show called 'Walking the Same Path'

I am interested in how our environment has been formed and how we interact with it. This relationship is dynamic and involves not only the elemental forces of nature but also our perception of time. In the same way as the past is imperfectly preserved, so we remember our own experiences in fragments. How to visually express this is what intrigues me.

My previous experience working as an archaeologist informs my work, as does my enjoyment of rock climbing and mountaineering. Directly observed work of the landscape and the human figure provide the basis for more interpretative prints, sequences of images and collages. I like to move freely between different media such as charcoal, pastel, oil paint, collograph printing, to name just a few, as each provide a particular effect and character. 

Collages can be more experimental and allow me to explore varying perspectives and juxtapose different ideas and images. Using scraps of my own previously discarded work as visual fragments I collage then draw, paint, scrape away and collage again if needed. The actual fragments of collage can correlate directly to fragments of memory, but in many ways it is more like virtual archaeological reconstruction. From the fragments of past work I 'reconstruct' the 'evidence' to make a new interpretation. The result is full of ambiguities, as the past and our memories always are, but the coming together of differing visual ideas can bring about new possibilities that could never have made any other way.


Perthshire Open Studios | Fife Dunfermline Printmakers Workshop